The title of this article might sound like an advertisement for a (para-)psychological experiment, but fear not. I don’t plan to demonstrate a way to summon the spirits of old authors to ask them for writing advice!
Instead, I’ll talk about six sensory exercises that can help you improve your writing in a simple, easy-to-follow way.
Every author has a different writing journey. Some begin theirs at a very young age; others discover writing later in life. For some it is a continuous, uninterrupted endeavor, while others might stop writing for many years. And if that happens, making a writing comeback can be a daunting task.
Each one of us struggles with different things—in the writing process, productivity, and the publishing process. Some authors become disappointed or even disillusioned with the lack of recognition.
For others, life may get in the way. Employment, starting a family, unexpected illness, or another personal problem are all fully legitimate reasons for an author to put writing on hold.Continue reading
Review. Criticism. Feedback. Three words that scare many writers. It’s arguably human nature to feel alarmed when someone points out mistakes and shortcomings. Most of us learn to cope with criticism.
But how many authors realize that writing a review can actually help their own writing?
I have worked with countless reviews as a writer-reader—the two are a bit like the concept of space-time; two facets of the same underlying reality. In other words, I have written reviews for others, and I have read reviews written by other authors.
As a result, I have realized that writing reviews can be an enlightening experience.
There are long texts, and there are short texts. In our current digital reality, there are also very short texts. Regardless of length, a text that is meaningful and successful is more than a sum of its parts, that is, its words. If that weren’t true, a massive historical novel spanning three volumes would always have been preferable to a short story of a few thousand words.
In fact, however, there is no qualitative difference based solely on the length of a work. An op-ed, when written with skill, can have much wider repercussions than a nonfiction book dealing with a similar issue. But although the above might appear self-evident, the question remains:
Why are some short texts so meaningful and successful?